{"id":105,"date":"2026-04-29T15:08:51","date_gmt":"2026-04-29T15:08:51","guid":{"rendered":"https:\/\/3guysandaflick.com\/?p=105"},"modified":"2026-05-14T16:15:03","modified_gmt":"2026-05-14T23:15:03","slug":"podcast-260-wes-cravens-new-nightmare","status":"publish","type":"post","link":"https:\/\/3guysandaflick.com\/?p=105","title":{"rendered":"Podcast 260: Wes Craven\u2019s New Nightmare"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"105\" class=\"elementor elementor-105\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-763eaffc e-flex e-con-boxed e-con e-parent\" data-id=\"763eaffc\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1e2d401d elementor-widget elementor-widget-text-editor\" data-id=\"1e2d401d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><iframe style=\"border: none;\" src=\"https:\/\/www.podbean.com\/player-v2\/?share=1&amp;download=1&amp;rtl=1&amp;fonts=Verdana&amp;skin=c73a3a&amp;btn-skin=1b1b1b&amp;multiple_size=515&amp;square_size=300&amp;order=episodic&amp;filter=all&amp;limit=100&amp;season=all&amp;tag=all&amp;font-color=auto&amp;i=w65d8-1aad85a-pb\" width=\"800\" height=\"150\" scrolling=\"no\" data-name=\"pb-iframe-player\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><div><div class=\"flex h-svh w-screen flex-col\"><div class=\"relative z-0 flex min-h-0 w-full flex-1\"><div class=\"relative flex min-h-0 w-full flex-1\"><div class=\"@container\/main relative flex min-w-0 flex-1 flex-col -translate-y-[calc(env(safe-area-inset-bottom,0px)\/2)] pt-[calc(env(safe-area-inset-bottom,0px)\/2)]\"><div 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has-data-[fixed-header=less-than-xxl]:@w-2xl\/main:[--sticky-padding-top:0px]\" data-scroll-root=\"\" data-scroll-from-top=\"\"><main id=\"main\" class=\"min-h-0 flex-1\"><div id=\"thread\" class=\"group\/thread flex flex-col min-h-full\"><div class=\"composer-parent flex flex-1 flex-col focus-visible:outline-0\" role=\"presentation\"><div class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"><div class=\"flex flex-col text-sm\"><div class=\"relative w-full overflow-visible\"><section class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:e1dea4c3-6fce-4313-b380-f34bda3ac014-64\" data-turn-id-container=\"request-WEB:e1dea4c3-6fce-4313-b380-f34bda3ac014-64\" data-testid=\"conversation-turn-16\" data-scroll-anchor=\"false\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"e29fdf78-1c6b-4fef-addd-d3b2746fd62e\" data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-5-thinking\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"><p data-start=\"73\" data-end=\"579\"><strong data-start=\"73\" data-end=\"89\">Movie Title:<\/strong> Wes Craven\u2019s New Nightmare<br data-start=\"116\" data-end=\"119\" \/><strong data-start=\"119\" data-end=\"136\">Release Date:<\/strong> October 14, 1994<br data-start=\"153\" data-end=\"156\" \/><strong data-start=\"156\" data-end=\"168\">Runtime:<\/strong> 112 minutes<br data-start=\"180\" data-end=\"183\" \/><strong data-start=\"183\" data-end=\"196\">Director:<\/strong> Wes Craven<br data-start=\"207\" data-end=\"210\" \/><strong data-start=\"210\" data-end=\"236\">Screenplay Written By:<\/strong> Wes Craven<br data-start=\"247\" data-end=\"250\" \/><strong data-start=\"250\" data-end=\"263\">Based On:<\/strong> Characters and mythology from <em data-start=\"294\" data-end=\"321\">A Nightmare on Elm Street<\/em>, created by Wes Craven<br data-start=\"344\" data-end=\"347\" \/><strong data-start=\"347\" data-end=\"367\">Is it a remake?:<\/strong> No. It is the seventh film in the <em data-start=\"402\" data-end=\"429\">A Nightmare on Elm Street<\/em> franchise, but it functions as a meta, alternate-continuity continuation rather than a direct sequel to the prior film continuity.<br data-start=\"560\" data-end=\"563\" \/><strong data-start=\"563\" data-end=\"577\"><br \/>Main Cast:<\/strong><\/p><ul data-start=\"580\" data-end=\"722\"><li data-section-id=\"1u72uyf\" data-start=\"580\" data-end=\"602\">Heather Langenkamp<\/li><li data-section-id=\"18b44rv\" data-start=\"603\" data-end=\"621\">Robert Englund<\/li><li data-section-id=\"1xvuhqk\" data-start=\"622\" data-end=\"637\">Miko Hughes<\/li><li data-section-id=\"1kpreu8\" data-start=\"638\" data-end=\"652\">John Saxon<\/li><li data-section-id=\"1eo9auz\" data-start=\"653\" data-end=\"669\">David Newsom<\/li><li data-section-id=\"k02twl\" data-start=\"670\" data-end=\"690\">Tracy Middendorf<\/li><li data-section-id=\"1ksjhs4\" data-start=\"691\" data-end=\"705\">Wes Craven<\/li><li data-section-id=\"1ey04uq\" data-start=\"706\" data-end=\"722\">Robert Shaye<\/li><\/ul><p data-start=\"724\" data-end=\"780\"><strong data-start=\"724\" data-end=\"735\"><br \/>Budget:<\/strong> Approximately $8 million<br data-start=\"760\" data-end=\"763\" \/><strong data-start=\"763\" data-end=\"778\"><br \/>Box Office:<\/strong><\/p><ul data-start=\"781\" data-end=\"863\"><li data-section-id=\"1libs0g\" data-start=\"781\" data-end=\"806\">Domestic: $18,090,181<\/li><li data-section-id=\"h68ke2\" data-start=\"807\" data-end=\"836\">International: $1,631,560<\/li><li data-section-id=\"u7nszp\" data-start=\"837\" data-end=\"863\">Worldwide: $19,721,741<\/li><\/ul><p data-start=\"865\" data-end=\"878\"><strong data-start=\"865\" data-end=\"876\"><br \/>Awards:<\/strong><\/p><ul data-start=\"879\" data-end=\"1234\"><li data-section-id=\"1bsccyh\" data-start=\"879\" data-end=\"959\">Brussels International Fantastic Film Festival \u2014 Pegasus Audience Award, won<\/li><li data-section-id=\"exfhis\" data-start=\"960\" data-end=\"1031\">Fantasporto International Fantasy Film Award \u2014 Best Screenplay, won<\/li><li data-section-id=\"dfcge3\" data-start=\"1032\" data-end=\"1103\">Fantasporto International Fantasy Film Award \u2014 Best Film, nominated<\/li><li data-section-id=\"cejg4v\" data-start=\"1104\" data-end=\"1155\">Fangoria Chainsaw Awards \u2014 Best Screenplay, won<\/li><li data-section-id=\"s82qgl\" data-start=\"1156\" data-end=\"1234\">Independent Spirit Awards \u2014 Producers Award nomination, Marianne Maddalena<\/li><\/ul><p data-start=\"1236\" data-end=\"1458\"><br \/>Core release, runtime, credits, budget, box office, and awards cross-checked through IMDb, Box Office Mojo, Wikipedia, Rotten Tomatoes, Metacritic, and the official New Line press kit.<br \/><br \/><\/p><hr data-start=\"1460\" data-end=\"1463\" \/><h2 data-section-id=\"cng3nq\" data-start=\"1465\" data-end=\"1487\">Short Plot Summary:<\/h2><p data-start=\"1488\" data-end=\"1944\">Heather Langenkamp, Robert Englund, Wes Craven, and other <em data-start=\"1546\" data-end=\"1571\">Nightmare on Elm Street<\/em> figures play fictionalized versions of themselves as a darker force begins crossing from horror fiction into reality. As Heather considers returning to the role of Nancy, her young son Dylan becomes the target of a newly reimagined Freddy-like entity. The film turns the franchise inward, using Hollywood, fandom, nightmares, and storytelling itself as part of the threat.<br \/><br \/><\/p><hr data-start=\"1946\" data-end=\"1949\" \/><h2 data-section-id=\"j5o1hd\" data-start=\"1951\" data-end=\"1965\">Key Quotes:<\/h2><ul data-start=\"1966\" data-end=\"2342\"><li data-section-id=\"bk3q9n\" data-start=\"1966\" data-end=\"2043\">\u201cI think the only way to stop him is to make another movie.\u201d \u2014 Wes Craven<\/li><li data-section-id=\"9aao2r\" data-start=\"2044\" data-end=\"2137\">\u201cEvery kid knows who Freddy is. He\u2019s like Santa Claus or King Kong.\u201d \u2014 Heather Langenkamp<\/li><li data-section-id=\"1puspxu\" data-start=\"2138\" data-end=\"2246\">\u201cHeather, thank you for having the strength to play Nancy one last time.\u201d \u2014 Wes Craven \/ screenplay text<\/li><li data-section-id=\"1eg7u33\" data-start=\"2247\" data-end=\"2303\">\u201cThis time, staying awake won\u2019t save you.\u201d \u2014 Tagline<\/li><li data-section-id=\"1fl91py\" data-start=\"2304\" data-end=\"2342\">\u201cFreddy\u2019s coming for you.\u201d \u2014 Dylan<\/li><\/ul><p data-start=\"2344\" data-end=\"2465\"><br \/>Quotes verified against IMDb quote listings and official marketing\/tagline records.<br \/><br \/><\/p><hr data-start=\"2467\" data-end=\"2470\" \/><h2 data-section-id=\"16tullg\" data-start=\"2472\" data-end=\"2481\">Trivia<\/h2><ul data-start=\"2483\" data-end=\"9348\"><li data-section-id=\"1m8mndz\" data-start=\"2483\" data-end=\"3167\"><h3 data-section-id=\"1wj7ob0\" data-start=\"2485\" data-end=\"2498\">Director:<\/h3><ul data-start=\"2501\" data-end=\"3167\"><li data-section-id=\"1gpyvm5\" data-start=\"2501\" data-end=\"2761\">Wes Craven returned to write and direct ten years after creating the original <em data-start=\"2581\" data-end=\"2608\">A Nightmare on Elm Street<\/em>. The New Line press kit explicitly frames the movie as Craven returning \u201cten years to the day\u201d after the original.<\/li><li data-section-id=\"2b6azr\" data-start=\"2764\" data-end=\"2972\">Craven designed the film around breaking the \u201cfourth wall\u201d and moving outside the normal story world into the lives of the filmmakers, actors, writer, and effects team.<\/li><li data-section-id=\"1hchvoj\" data-start=\"2975\" data-end=\"3167\">The film is often described as a precursor to Craven\u2019s later meta-horror approach in <em data-start=\"3062\" data-end=\"3070\">Scream<\/em>, because it brings horror-film mythology into \u201creal life.\u201d<\/li><\/ul><\/li><li data-section-id=\"w2siln\" data-start=\"3169\" data-end=\"4063\"><h3 data-section-id=\"sznbhv\" data-start=\"3171\" data-end=\"3190\">Cast \/ Casting:<\/h3><ul data-start=\"3193\" data-end=\"4063\"><li data-section-id=\"1uzo1ou\" data-start=\"3193\" data-end=\"3368\">Heather Langenkamp, Robert Englund, John Saxon, Wes Craven, and New Line\u2019s Robert Shaye appear as fictionalized versions of themselves.<\/li><li data-section-id=\"ta1wsg\" data-start=\"3371\" data-end=\"3554\">The film reunited Langenkamp and Englund from the original 1984 film, with the story centered on Heather needing to \u201cplay Nancy one last time.\u201d<\/li><li data-section-id=\"15s4e1a\" data-start=\"3557\" data-end=\"3811\">Miko Hughes was cast as Dylan after an extended search. Producer Marianne Maddalena said they considered twins and girls because of the demands of casting a young child, but Craven said Hughes \u201cblew our socks off.\u201d<\/li><li data-section-id=\"bzm8mt\" data-start=\"3814\" data-end=\"4063\">Hughes was eight years old and already had credits including <em data-start=\"3877\" data-end=\"3891\">Pet Sematary<\/em>, <em data-start=\"3893\" data-end=\"3911\">Kindergarten Cop<\/em>, and <em data-start=\"3917\" data-end=\"3932\">Jack the Bear<\/em>. The press kit notes he was accompanied on set by his parents, teacher, and pet iguana, Rex.<\/li><\/ul><\/li><li data-section-id=\"nzg3eu\" data-start=\"4065\" data-end=\"4758\"><h3 data-section-id=\"kx4tg7\" data-start=\"4067\" data-end=\"4090\">Soundtrack \/ Score:<\/h3><ul data-start=\"4093\" data-end=\"4758\"><li data-section-id=\"tzb97e\" data-start=\"4093\" data-end=\"4258\">The score was composed by J. Peter Robinson. Box Office Mojo and the New Line press kit both identify Robinson as composer.<\/li><li data-section-id=\"1pn1r0y\" data-start=\"4261\" data-end=\"4470\">The film also uses Charles Bernstein\u2019s original <em data-start=\"4311\" data-end=\"4338\">A Nightmare on Elm Street<\/em> score material, with the press kit crediting footage and score elements from the 1984 film.<\/li><li data-section-id=\"1gfaqe4\" data-start=\"4473\" data-end=\"4581\">R.E.M.\u2019s \u201cLosing My Religion\u201d appears in the film\u2019s music credits.<\/li><li data-section-id=\"efkqqw\" data-start=\"4584\" data-end=\"4758\">The movie\u2019s music was later included in Mondo\u2019s <em data-start=\"4634\" data-end=\"4661\">A Nightmare on Elm Street<\/em> vinyl box set covering the first seven franchise scores.<\/li><\/ul><\/li><li data-section-id=\"h1xdiu\" data-start=\"4760\" data-end=\"5583\"><h3 data-section-id=\"1n3totd\" data-start=\"4762\" data-end=\"4775\">Location:<\/h3><ul data-start=\"4778\" data-end=\"5583\"><li data-section-id=\"1q983pi\" data-start=\"4778\" data-end=\"4934\">Production used locations in and around Los Angeles, including the New Line Cinema offices on Robertson Boulevard.<\/li><li data-section-id=\"833dpy\" data-start=\"4937\" data-end=\"5136\">The production incorporated real aftermath footage from the 1994 Northridge earthquake after a 6.8 magnitude quake struck Southern California during filming.<\/li><li data-section-id=\"1kqk54w\" data-start=\"5139\" data-end=\"5346\">The film\u2019s earthquake material has an unusually eerie real-world overlap: the crew had filmed their own earthquake sequence shortly before the actual quake occurred.<\/li><li data-section-id=\"uonave\" data-start=\"5349\" data-end=\"5583\">Some location-reference sites identify Heather\u2019s house exterior as being in Tarzana, California, but treat this as location-tracking data rather than studio-confirmed production documentation.<\/li><\/ul><\/li><li data-section-id=\"xicedd\" data-start=\"5585\" data-end=\"6196\"><h3 data-section-id=\"ie9yt7\" data-start=\"5587\" data-end=\"5597\">Act 1:<\/h3><ul data-start=\"5600\" data-end=\"6196\"><li data-section-id=\"l6gtcz\" data-start=\"5600\" data-end=\"5805\">The opening special-effects sequence immediately signals the movie\u2019s meta structure: the nightmare is connected to the making of another <em data-start=\"5739\" data-end=\"5750\">Nightmare<\/em> film rather than simply to Freddy attacking teenagers.<\/li><li data-section-id=\"rub63j\" data-start=\"5808\" data-end=\"5925\">Heather\u2019s stalker calls, Dylan\u2019s behavior, and the earthquakes establish that the threat is not confined to dreams.<\/li><li data-section-id=\"1gnbf6s\" data-start=\"5928\" data-end=\"6196\">The story positions Freddy not as the familiar wisecracking slasher villain, but as the mask or vessel for an older, darker entity. This alternate-continuity premise is identified in plot summaries and production descriptions.<\/li><\/ul><\/li><li data-section-id=\"xfmax3\" data-start=\"6198\" data-end=\"7146\"><h3 data-section-id=\"ie9ys8\" data-start=\"6200\" data-end=\"6210\">Act 2:<\/h3><ul data-start=\"6213\" data-end=\"7146\"><li data-section-id=\"1fso9y0\" data-start=\"6213\" data-end=\"6453\">Craven appears within the story as himself, explaining that the only way to contain the evil may be to create another movie. This is the film\u2019s clearest statement of its \u201cstory as containment\u201d idea.<\/li><li data-section-id=\"1giz84g\" data-start=\"6456\" data-end=\"6624\">Robert Englund appears both as himself and as Freddy, letting the film separate the actor, the pop-culture icon, and the darker supernatural version of the character.<\/li><li data-section-id=\"cvjid1\" data-start=\"6627\" data-end=\"6898\">The hospital material with Dylan pushes the film toward parental fear rather than standard teen-slasher structure, matching Craven\u2019s stated goal of making a movie for the original audience, now older and seeing Freddy as parents.<\/li><li data-section-id=\"1d0r467\" data-start=\"6901\" data-end=\"7146\">The film\u2019s Freddy redesign was intentional. Craven said they kept familiar elements but made them \u201cdifferent and much more scary,\u201d aiming to put Freddy back into the arena of frightening cinema villains.<\/li><\/ul><\/li><li data-section-id=\"1uik416\" data-start=\"7148\" data-end=\"7737\"><h3 data-section-id=\"ie9yux\" data-start=\"7150\" data-end=\"7160\">Act 3:<\/h3><ul data-start=\"7163\" data-end=\"7737\"><li data-section-id=\"jxqnqh\" data-start=\"7163\" data-end=\"7300\">Heather\u2019s final confrontation requires her to symbolically become Nancy again, making the climax about performance, myth, and survival.<\/li><li data-section-id=\"19mfkgp\" data-start=\"7303\" data-end=\"7427\">The ending reframes the movie itself as the object that traps or contains the evil, completing the film\u2019s meta-story loop.<\/li><li data-section-id=\"1alcq0i\" data-start=\"7430\" data-end=\"7583\">Dylan\u2019s fairy-tale imagery and Hansel-and-Gretel-style breadcrumbs support the movie\u2019s idea that old stories can contain monsters when properly retold.<\/li><li data-section-id=\"189547w\" data-start=\"7586\" data-end=\"7737\">The finale\u2019s darker Freddy design and more monstrous behavior intentionally contrast with the increasingly comedic Freddy of later franchise sequels.<\/li><\/ul><\/li><li data-section-id=\"lcln24\" data-start=\"7739\" data-end=\"8494\"><h3 data-section-id=\"qt9n5q\" data-start=\"7741\" data-end=\"7757\">Easter Eggs:<\/h3><ul data-start=\"7760\" data-end=\"8494\"><li data-section-id=\"v5d4h3\" data-start=\"7760\" data-end=\"7940\">The film directly references the original <em data-start=\"7804\" data-end=\"7831\">A Nightmare on Elm Street<\/em> through cast returns, footage, music, and the Nancy\/Heather overlap.<\/li><li data-section-id=\"zxiy6g\" data-start=\"7943\" data-end=\"8113\">New Line Cinema becomes part of the story world, including appearances by company leadership and use of real New Line locations.<\/li><li data-section-id=\"13htgx8\" data-start=\"8116\" data-end=\"8301\">The tagline \u201cThis Time The Terror Doesn\u2019t Stop At The Screen\u201d summarizes the film\u2019s core meta concept and appears on official poster materials.<\/li><li data-section-id=\"jf1k18\" data-start=\"8304\" data-end=\"8494\">The film\u2019s \u201cmovie within a movie\u201d premise was described by New Line\u2019s Bob Shaye as what <em data-start=\"8394\" data-end=\"8406\">The Player<\/em> would be if it met <em data-start=\"8426\" data-end=\"8453\">A Nightmare on Elm Street<\/em>.<\/li><\/ul><\/li><li data-section-id=\"oyojh8\" data-start=\"8496\" data-end=\"9348\"><h3 data-section-id=\"73beyw\" data-start=\"8498\" data-end=\"8507\">Misc:<\/h3><ul data-start=\"8510\" data-end=\"9348\"><li data-section-id=\"1bivytm\" data-start=\"8510\" data-end=\"8625\"><em data-start=\"8512\" data-end=\"8540\">Wes Craven\u2019s New Nightmare<\/em> was released nationally on October 14, 1994.<\/li><li data-section-id=\"ls88p\" data-start=\"8628\" data-end=\"8768\">Box Office Mojo lists the film\u2019s opening weekend at $6,667,118 and worldwide gross at $19,721,741.<\/li><li data-section-id=\"5yxuy2\" data-start=\"8771\" data-end=\"8964\">Wikipedia notes that it was the poorest-performing film in the <em data-start=\"8836\" data-end=\"8861\">Nightmare on Elm Street<\/em> series at the box office, despite later critical appreciation.<\/li><li data-section-id=\"qqi4t7\" data-start=\"8967\" data-end=\"9129\">Rotten Tomatoes\u2019 consensus highlights the film\u2019s \u201cmeta layer,\u201d and Metacritic lists it at 64 based on 21 critic reviews.<\/li><li data-section-id=\"mnkedw\" data-start=\"9132\" data-end=\"9348\">The press kit includes a legal-style note that some parts were inspired by actual events, while others were attributed to the \u201coveractive imagination of a five-year-old boy.\u201d<br \/><br \/><\/li><\/ul><\/li><\/ul><hr data-start=\"9350\" data-end=\"9353\" \/><h2 data-section-id=\"pserta\" data-start=\"9355\" data-end=\"9372\">Sources Cited:<\/h2><ul data-start=\"9373\" data-end=\"9919\"><li data-section-id=\"m9pja2\" data-start=\"9373\" data-end=\"9480\">IMDb: <em data-start=\"9381\" data-end=\"9396\">New Nightmare<\/em> title, credits, quotes, and awards pages.<\/li><li data-section-id=\"1ou0qjd\" data-start=\"9481\" data-end=\"9565\">Wikipedia: <em data-start=\"9494\" data-end=\"9522\">Wes Craven\u2019s New Nightmare<\/em>.<\/li><li data-section-id=\"1ez98h4\" data-start=\"9566\" data-end=\"9643\">Box Office Mojo: <em data-start=\"9585\" data-end=\"9600\">New Nightmare<\/em>.<\/li><li data-section-id=\"efxa5s\" data-start=\"9644\" data-end=\"9734\">Rotten Tomatoes: <em data-start=\"9663\" data-end=\"9691\">Wes Craven\u2019s New Nightmare<\/em>.<\/li><li data-section-id=\"kubnjb\" data-start=\"9735\" data-end=\"9820\">Metacritic: <em data-start=\"9749\" data-end=\"9777\">Wes Craven\u2019s New Nightmare<\/em>.<\/li><li data-section-id=\"cs5daq\" data-start=\"9821\" data-end=\"9919\">New Line Cinema Press Kit: <em data-start=\"9850\" data-end=\"9878\">Wes Craven\u2019s New Nightmare<\/em>.<\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\">\u00a0<\/div><\/div><\/div><\/section><div class=\"contents\">\u00a0<\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\u00a0<\/div><div class=\"pointer-events-none translate-y-(--scroll-root-safe-area-inset-bottom) R6Vx5W_threadScrollVars min-h-(--gutter-remaining-height,0px) group-data-stream-active\/scroll-root:h-[calc(var(--thread-response-height)-16*var(--spacing))]\">\u00a0<\/div><\/div><\/div><div id=\"thread-bottom-container\" class=\"sticky bottom-0 z-10 group\/thread-bottom-container relative isolate w-full basis-auto has-data-has-thread-error:pt-2 has-data-has-thread-error:[box-shadow:var(--sharp-edge-bottom-shadow)] md:border-transparent md:pt-0 dark:border-white\/20 md:dark:border-transparent print:hidden content-fade single-line\"><div class=\"relative mx-auto h-0\"><div class=\"flex h-0 items-end justify-center motion-safe:transition-all motion-safe:delay-300 motion-safe:duration-300 group-[:not([data-scroll-from-end])]\/scroll-root:scale-50 group-[:not([data-scroll-from-end])]\/scroll-root:translate-y-2 group-[:not([data-scroll-from-end])]\/scroll-root:opacity-0 group-[:not([data-scroll-from-end])]\/scroll-root:pointer-events-none group-[:not([data-scroll-from-end])]\/scroll-root:duration-100 group-[:not([data-scroll-from-end])]\/scroll-root:delay-0 absolute start-1\/2 z-10 -translate-x-1\/2 bottom-[calc(100%+6*var(--spacing)+var(--thread-scroll-to-bottom-banner-offset,0px))]\">\u00a0<\/div><\/div><div><div class=\"text-base mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 mb-[var(--thread-component-gap,1rem)]\">\u00a0<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/main><\/div><\/div><\/div><\/div><\/div><\/div><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\ufeff Movie Title: Wes Craven\u2019s New NightmareRelease Date: October 14, 1994Runtime: 112 minutesDirector: Wes CravenScreenplay Written By: Wes CravenBased On: Characters and mythology from A Nightmare on Elm Street, created by Wes CravenIs it a remake?: No. It is the seventh film in the A Nightmare on Elm Street franchise, but it functions as a 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